SOUNDSCAPE FOLLY

Conpetition: Status- Closed

Project Description:

“Soundscape” explores the translation of music to spatial experience. It sets out to reframe the relationship between the public and sculpture, observer and composer. It is an interactive piece that elevates the art of sound and its relationship with the visual. “Soundscape” contributes to the concept of a folly by inter-mingling the senses of sound, vision and tactility, thereby further enhancing our experience of the piece. The project brings a new type of aesthetic for the public to enjoy, an aesthetic of the senses.

A series of 110 columns laid out in a 15’x52’ grid that stretches and compresses in its length and height. This is to blur the boundary between being within or out of the folly. Pre recorded songs will be played while the attached piano generates projections in real-time onto the columns via a custom made software. The public is invited to use the piano to compose various projections and their resulting spaces. Projection mapping onto each column will be employed to achieve a high resolution of composed effects. Already sequenced and recorded visual/musical compositions will also be played. Like volume/sound the grid’s deformation is fluid and creates spaces without clear spatial boundaries. Consequently the compressed areas of the grid will catch more of the projections visually amplifying the co-authored pieces and their resulting spaces. The stretched out areas of the “Soundscape” create semi-interior conditions where benches will be placed to give the public the opportunity to immerse themselves within the performances.

A sample video can be viewed at http://vimeo.com/56857243

In collaboration with Philipp Rahlenbeck director of MultitouchBerlin http://www.multitouchberlin.com/

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EDITORIAL “CALLING ON THE RESILIENCE OF JAMES BOND” TO BE PUBLISHED IN CONDITIONS MAGAZINE

Editorial “Calling on The resilience of James Bond” to be published in Conditions Magazine 

http://www.conditionsmagazine.com/

“STORMING MEDUSA”- JAMES BOND #24

“STORMING MEDUSA”- A VILLAINS LAIR FOR JAMES BOND NO.24

James Bond movies have been a veritable catalogue of Cold war modernism. Each movie has a villain whose lair frequently uses the language of modern architecture. As such, James Bond movies can be considered phantasmagorias which have allowed audiences to imagine the future of architecture. But now that the Cold war is over, how can the James Bond genre be utilized again to imagine a new kind of architecture?

Anchored off the coast of Cape Farewell in Greenland, the Medusa is proposed as the new villain’s lair in our ecologically and politically precarious present. The project draws on the physiological characteristics of jellyfish in order to suggest a new relationship between the built and natural environment. It posits formlessness over form, field conditions instead of clear spatial boundaries, and the opportunity for movement rather than stasis. This architecture occurs at the moment of contact between water and epidermis. The ingenuity of the Medusa, according to its designers, is that it does not have a determined form but rather actively constructs its own environment by staging weather events and harvesting the energy needed for its own survival.

The medusa is constructed on the premise of homeostasis based on natural models: that is, it is proposed as a closed system which, despite changing external conditions, is able to sustain a stable inner economy of energy production and consumption. Yet this optimistic view of the Medusa turns out to be hopelessly naïve. The Medusa breaks down, is dragged to the shores of Africa, and is co-opted as a market. The gargantuan Medusa ultimately owes its survival to its ability to re-adapt to these new cultural conditions. Resilience prevails over homeostasis.

/// Extra research can be viewed here villainslair.net

///Featured on ArchdailyMini 

http://www.archdaily.com/313838/storming-medusa-proposal-anna-ulak/

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A horizontal of tornado off the coast of Lagos…

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…a cloud and lightning show over the Bosphorus…

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….mammatus clouds over Sydney…

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…northern lights over Rio de Janeiro…

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JURGEN MAYER H- HOUSING FACADE

/// Proposal: Jan. 2012

/// Project Architects: Jurgen Mayer H, Jesko Malkolm Johnsson-Zahn, Paul Anglier

/// Project designer: Anna Ulak

/// Location: Batumi, Georgia

/// Description: This housing façade is to be built on top of an already existing building in Batumi Georgia. The existing building was built as a regular concrete grid where each apartment unit had the exact same windows and balconies. However over time the residents either in-filled their own balconies and/or put up their own windows. Therefore the current building has an irregular façade that is ageing differently in various parts. This project is to re-skin the existing façade by placing a new pattern in front of the existing building. The main idea of the project is to celebrate the irregularity of the existing facade yet create a iconic cohesive identity. Therefore cage editing process was deployed in rhinoceros pulling one surface through another to generate openings that have an irregular shape. The new facade with be 2 meters in front of the existing therefore extending a balcony that is communal. The 50 cm thick concrete facade will be lined with vertical planting around the openings and on the inside of the facade. Thus creating a green semi private communal space that keeps the apartments cool in Batumi’s hot weather.

existing facade

JURGEN MAYER H- VLASHIKA A NEW CITY

/// Proposal: Nov 2012

/// Team: Jurgen Mayer H, Sebastian Finckh, Anna Ulak, Hugo Reis and Jascha Fink

/// Project designers: Anna Ulak and Hugo Reis 

/// Location: Vlashika, Russia 15 km outside of Moscow

/// The master planning strategy for Vlasikha is to create a strong identity of the new development yet provide for variety and respect the neighboring communities.

Two types of links are used to subdivide the large area into quarter at an adequate scale: the „hard“ connection which defines the main traffic passage and access. The „soft“ connector is creating a green belt, serving as a lung for sane urban respiration.

The „soft“ landscape connection extends the Selishche and the historical center of Laikovo east through the new proposed development and links it to the forest. This new public space emphasizes and connects the old historical center of Laikovo with the new landscape center of Vlasikha. This extended soft center can also act as a programmatic activator during holiday seasons (i.e. leisure/markets) and become avenue for various activities such as concerts, celebrations, or as a meeting point.

This project explores a new type of urban pattern within the European context. Instead of having typical square blocks with central courtyards, an octagonal pattern is utilized for the blocks. Therefore inverting the typical courtyard to mingle with the intersections. This is to create the opportunity for more public spaces within the micro city.

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/// The hard connection links the north road access point of the current city Laikovo and extends through the site making a new connection to the south road and potential future development site.

/// Plotting terms:

1. Schools, child daycare centers

2. Park landscape “Selishche” soft connector

3. Cottages, townhouses, few-storey buildings

4. Cottages, townhouses, few storey buildings,

5. Mid and multistoried buildings

6. Parking for mid and multistoried buildings,small shops, parmacy, bank, restaurant shopping and leisure center, medical center,fire station, sport and recreation center, medical center, fire station, large engineering facilities.

image

A grid is used to divide the blocks of the site and provides ease of use for the residents. The grid is twisted to fit the geometry of the site and thus provides a customized version giving an identity to Vlasikha. Within the grid is a variety of three street types from accomodating large traffic loads and mix use to small traffic loads and more pedestrian friendly circulation.

The abstracted octagon type pattern is used for the geometry of the buildings in plan. Like the grid this pattern gives a unifying identity for the community at the same providing for a variety of building types and programs. The pattern also provides for generous setbacks and ample public/green space between the buildings.

Furthermore in the the center of these octagon type pattern are the intersections of the streets. Instead of having a typical square geometry with a central courtyard (typical European urban pattern), this is inverted. Thus providing a new type of public space. One that embraces the intersection. A new urban pattern is created in the eastern European context.

image

Laikovo east through the new proposed development and towards the forest. This new public space emphasizes and connects the old historical center of Laikovo with the new landscape center of Vlasikha. This exended soft center can also act as a programmatic activator during holiday seasons (i.e. markets) and become a venue for various activities such as concerts, celebrations, or as a meeting point.

Small agricultural lots are provided at the edge of the cottages on the north east of the site. Like the green public connector this offers the residences to engage in the landscape in a more productive manner.

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JURGEN MAYER H- FAYAT BOMAG ACADEMY

/// Competition: Nov. 2011

/// Team: Juergen Mayer H., Simon Kassner, Jesko M. Johnsson-Zahn, Alessia Schoor, Anna Ulak

/// Role: Assitance with diagrams and elevations

/// 3rd Prize

/// Description: The new customer service, office and training centre creates a new platform for Bomag’s industrial site and identity. The proposal’s integration into the existing topography gives the building unique spatial qualities and presence on site. The combination is an exciting customer training centre also equipped with an outdoor demonstration site. Through architecture, BOMAG offers its customers an interactive experience.

HANGING CAMPUS DUBAI

/// Option Studio done at the University of Toronto during the fall of 2010 under the supervision of Tom Bessai.

/// Duration: 4 months

/// Individual work

/// Description: Dubai is incredibly spread out and relies on cars as a primary mode of transportation. This project sets out to explore a viable urban condition for Dubai that is not only dependent on the car. All the while stitching the vast spaces between buildings and providing a dense condition that could promote other more sustainable modes of transportation.

This project is an infill project for a new university campus in Dubai that is situated in the old city center along the Deira creek. The various programs are housing, institutional, commercial, recreation and open space/park. The project exploited various programs, infrastructures and modes of transportation around and throughout the site. The aim of the project was to explore various digital and analog modes of drawing and model making. This was done to create new architectural/urban languages and to test them on an urban scale.  

The result finds a new type of architecture/urbanism that does not only mix programs in plan but more so in section. In doing so the intervention provides an architecture that creates built form that acts as shading devices along the Deira creek. Not only does this creates cool shaded places along the creek, but mixes programs such as trade markets, transportation and the University Campus.

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Site in the context of Dubai. The site is situated along the Deira Creek.

image

Process diagrams of connecting streets across the creek. The pinching pattern occurs where intersections are located.

image

Site analysis of surrounding buildings and infrastructures. Further analysis using time as a point of departure to generate mass.

image

Site plan left. Top right a diagram depicting the 6 different types of neighborhoods. Bottom right depicting various programs within buildings.

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image

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COMPREHENSIVE BUILDING PROJECT

/// Comprehensive Studio done in the Winter semester 2009 at the University of Toronto, Daniels Faculty of Architecture, Landscape, and Desig

/// Studio Instructors: Barry Sampson, Maria Denegri and Betsy Williamson

/// In collaboration with Anne Erlich and Valentina Mele

/// Description: HOTEL/SCHOOL in TORONTO is a comprehensive building studio which entails designing a hotel and tourism school on a 1200 sq. m. site at the south-east corner of King Street and Spadina Avenue. The initial idea was choreograph the different programs and mix the hotel and school according to verbs. Therefore all the cooking and dinning programs are lumped together in the same area while the working areas- offices/school are also placed in similar locations. The twisting of these programs are done to create interesting intersections inside and to create interesting views to the outside. 

NEW ARTIC URBANISM /HOUSING

/// Option Studio done at the University of Toronto during the fall of 2010 under the supervision of Mason White.

/// Duration: 4 months

/// Individual work

/// Description: Iqaluit is the fastest growing capital in Canada. Jobs in the government, construction, and service industries are major reasons for rapid population growth, especially after Iqaluit became the capital of Nunavut. Furthermore, when coupled with a high fertility rate among Inuit women, this results in a natural increase in population. Since very few Inuits move away to the south, Iqaluit is expected to have a steady growth towards 2030. 

This project aims to address Iqaluit’s rapid growing population and their need for housing coupled with the need for more snow trails. This will be achieved by incorporating the snowmobile into the new housing complexes. The trails will exist between various housing complexes to create  new urban public spaces that also facilitates infrastructure. 

SURFACE STUDIES

/// Visual Communications class University of Toronto, 2008

/// Duration 2 weeks

/// In collaboratin with Emily Cheng

/// Description: An exploration of both tactile and virtual surfaces. The tactile consists of a system of score-and-fold applied to a felt-like fabric, then threaded with fishing line to allow malleability. The virtual is a 3d computer model manipulated through stretching and twisting.

SOUNDSCAPE FOLLY

Conpetition: Status- Closed

Project Description:

“Soundscape” explores the translation of music to spatial experience. It sets out to reframe the relationship between the public and sculpture, observer and composer. It is an interactive piece that elevates the art of sound and its relationship with the visual. “Soundscape” contributes to the concept of a folly by inter-mingling the senses of sound, vision and tactility, thereby further enhancing our experience of the piece. The project brings a new type of aesthetic for the public to enjoy, an aesthetic of the senses.

A series of 110 columns laid out in a 15’x52’ grid that stretches and compresses in its length and height. This is to blur the boundary between being within or out of the folly. Pre recorded songs will be played while the attached piano generates projections in real-time onto the columns via a custom made software. The public is invited to use the piano to compose various projections and their resulting spaces. Projection mapping onto each column will be employed to achieve a high resolution of composed effects. Already sequenced and recorded visual/musical compositions will also be played. Like volume/sound the grid’s deformation is fluid and creates spaces without clear spatial boundaries. Consequently the compressed areas of the grid will catch more of the projections visually amplifying the co-authored pieces and their resulting spaces. The stretched out areas of the “Soundscape” create semi-interior conditions where benches will be placed to give the public the opportunity to immerse themselves within the performances.

A sample video can be viewed at http://vimeo.com/56857243

In collaboration with Philipp Rahlenbeck director of MultitouchBerlin http://www.multitouchberlin.com/

image

image

image

EDITORIAL “CALLING ON THE RESILIENCE OF JAMES BOND” TO BE PUBLISHED IN CONDITIONS MAGAZINE

Editorial “Calling on The resilience of James Bond” to be published in Conditions Magazine 

http://www.conditionsmagazine.com/

“STORMING MEDUSA”- JAMES BOND #24

“STORMING MEDUSA”- A VILLAINS LAIR FOR JAMES BOND NO.24

James Bond movies have been a veritable catalogue of Cold war modernism. Each movie has a villain whose lair frequently uses the language of modern architecture. As such, James Bond movies can be considered phantasmagorias which have allowed audiences to imagine the future of architecture. But now that the Cold war is over, how can the James Bond genre be utilized again to imagine a new kind of architecture?

Anchored off the coast of Cape Farewell in Greenland, the Medusa is proposed as the new villain’s lair in our ecologically and politically precarious present. The project draws on the physiological characteristics of jellyfish in order to suggest a new relationship between the built and natural environment. It posits formlessness over form, field conditions instead of clear spatial boundaries, and the opportunity for movement rather than stasis. This architecture occurs at the moment of contact between water and epidermis. The ingenuity of the Medusa, according to its designers, is that it does not have a determined form but rather actively constructs its own environment by staging weather events and harvesting the energy needed for its own survival.

The medusa is constructed on the premise of homeostasis based on natural models: that is, it is proposed as a closed system which, despite changing external conditions, is able to sustain a stable inner economy of energy production and consumption. Yet this optimistic view of the Medusa turns out to be hopelessly naïve. The Medusa breaks down, is dragged to the shores of Africa, and is co-opted as a market. The gargantuan Medusa ultimately owes its survival to its ability to re-adapt to these new cultural conditions. Resilience prevails over homeostasis.

/// Extra research can be viewed here villainslair.net

///Featured on ArchdailyMini 

http://www.archdaily.com/313838/storming-medusa-proposal-anna-ulak/

image

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image

image

image

image

image

A horizontal of tornado off the coast of Lagos…

image

…a cloud and lightning show over the Bosphorus…

image

….mammatus clouds over Sydney…

image

…northern lights over Rio de Janeiro…

image

image

image

image

image

image

image

image

image

image

image

image

JURGEN MAYER H- HOUSING FACADE

/// Proposal: Jan. 2012

/// Project Architects: Jurgen Mayer H, Jesko Malkolm Johnsson-Zahn, Paul Anglier

/// Project designer: Anna Ulak

/// Location: Batumi, Georgia

/// Description: This housing façade is to be built on top of an already existing building in Batumi Georgia. The existing building was built as a regular concrete grid where each apartment unit had the exact same windows and balconies. However over time the residents either in-filled their own balconies and/or put up their own windows. Therefore the current building has an irregular façade that is ageing differently in various parts. This project is to re-skin the existing façade by placing a new pattern in front of the existing building. The main idea of the project is to celebrate the irregularity of the existing facade yet create a iconic cohesive identity. Therefore cage editing process was deployed in rhinoceros pulling one surface through another to generate openings that have an irregular shape. The new facade with be 2 meters in front of the existing therefore extending a balcony that is communal. The 50 cm thick concrete facade will be lined with vertical planting around the openings and on the inside of the facade. Thus creating a green semi private communal space that keeps the apartments cool in Batumi’s hot weather.

existing facade

JURGEN MAYER H- VLASHIKA A NEW CITY

/// Proposal: Nov 2012

/// Team: Jurgen Mayer H, Sebastian Finckh, Anna Ulak, Hugo Reis and Jascha Fink

/// Project designers: Anna Ulak and Hugo Reis 

/// Location: Vlashika, Russia 15 km outside of Moscow

/// The master planning strategy for Vlasikha is to create a strong identity of the new development yet provide for variety and respect the neighboring communities.

Two types of links are used to subdivide the large area into quarter at an adequate scale: the „hard“ connection which defines the main traffic passage and access. The „soft“ connector is creating a green belt, serving as a lung for sane urban respiration.

The „soft“ landscape connection extends the Selishche and the historical center of Laikovo east through the new proposed development and links it to the forest. This new public space emphasizes and connects the old historical center of Laikovo with the new landscape center of Vlasikha. This extended soft center can also act as a programmatic activator during holiday seasons (i.e. leisure/markets) and become avenue for various activities such as concerts, celebrations, or as a meeting point.

This project explores a new type of urban pattern within the European context. Instead of having typical square blocks with central courtyards, an octagonal pattern is utilized for the blocks. Therefore inverting the typical courtyard to mingle with the intersections. This is to create the opportunity for more public spaces within the micro city.

image

image

/// The hard connection links the north road access point of the current city Laikovo and extends through the site making a new connection to the south road and potential future development site.

/// Plotting terms:

1. Schools, child daycare centers

2. Park landscape “Selishche” soft connector

3. Cottages, townhouses, few-storey buildings

4. Cottages, townhouses, few storey buildings,

5. Mid and multistoried buildings

6. Parking for mid and multistoried buildings,small shops, parmacy, bank, restaurant shopping and leisure center, medical center,fire station, sport and recreation center, medical center, fire station, large engineering facilities.

image

A grid is used to divide the blocks of the site and provides ease of use for the residents. The grid is twisted to fit the geometry of the site and thus provides a customized version giving an identity to Vlasikha. Within the grid is a variety of three street types from accomodating large traffic loads and mix use to small traffic loads and more pedestrian friendly circulation.

The abstracted octagon type pattern is used for the geometry of the buildings in plan. Like the grid this pattern gives a unifying identity for the community at the same providing for a variety of building types and programs. The pattern also provides for generous setbacks and ample public/green space between the buildings.

Furthermore in the the center of these octagon type pattern are the intersections of the streets. Instead of having a typical square geometry with a central courtyard (typical European urban pattern), this is inverted. Thus providing a new type of public space. One that embraces the intersection. A new urban pattern is created in the eastern European context.

image

Laikovo east through the new proposed development and towards the forest. This new public space emphasizes and connects the old historical center of Laikovo with the new landscape center of Vlasikha. This exended soft center can also act as a programmatic activator during holiday seasons (i.e. markets) and become a venue for various activities such as concerts, celebrations, or as a meeting point.

Small agricultural lots are provided at the edge of the cottages on the north east of the site. Like the green public connector this offers the residences to engage in the landscape in a more productive manner.

image

image

image

JURGEN MAYER H- FAYAT BOMAG ACADEMY

/// Competition: Nov. 2011

/// Team: Juergen Mayer H., Simon Kassner, Jesko M. Johnsson-Zahn, Alessia Schoor, Anna Ulak

/// Role: Assitance with diagrams and elevations

/// 3rd Prize

/// Description: The new customer service, office and training centre creates a new platform for Bomag’s industrial site and identity. The proposal’s integration into the existing topography gives the building unique spatial qualities and presence on site. The combination is an exciting customer training centre also equipped with an outdoor demonstration site. Through architecture, BOMAG offers its customers an interactive experience.

HANGING CAMPUS DUBAI

/// Option Studio done at the University of Toronto during the fall of 2010 under the supervision of Tom Bessai.

/// Duration: 4 months

/// Individual work

/// Description: Dubai is incredibly spread out and relies on cars as a primary mode of transportation. This project sets out to explore a viable urban condition for Dubai that is not only dependent on the car. All the while stitching the vast spaces between buildings and providing a dense condition that could promote other more sustainable modes of transportation.

This project is an infill project for a new university campus in Dubai that is situated in the old city center along the Deira creek. The various programs are housing, institutional, commercial, recreation and open space/park. The project exploited various programs, infrastructures and modes of transportation around and throughout the site. The aim of the project was to explore various digital and analog modes of drawing and model making. This was done to create new architectural/urban languages and to test them on an urban scale.  

The result finds a new type of architecture/urbanism that does not only mix programs in plan but more so in section. In doing so the intervention provides an architecture that creates built form that acts as shading devices along the Deira creek. Not only does this creates cool shaded places along the creek, but mixes programs such as trade markets, transportation and the University Campus.

image

image

Site in the context of Dubai. The site is situated along the Deira Creek.

image

Process diagrams of connecting streets across the creek. The pinching pattern occurs where intersections are located.

image

Site analysis of surrounding buildings and infrastructures. Further analysis using time as a point of departure to generate mass.

image

Site plan left. Top right a diagram depicting the 6 different types of neighborhoods. Bottom right depicting various programs within buildings.

image

image

image

image

image

COMPREHENSIVE BUILDING PROJECT

/// Comprehensive Studio done in the Winter semester 2009 at the University of Toronto, Daniels Faculty of Architecture, Landscape, and Desig

/// Studio Instructors: Barry Sampson, Maria Denegri and Betsy Williamson

/// In collaboration with Anne Erlich and Valentina Mele

/// Description: HOTEL/SCHOOL in TORONTO is a comprehensive building studio which entails designing a hotel and tourism school on a 1200 sq. m. site at the south-east corner of King Street and Spadina Avenue. The initial idea was choreograph the different programs and mix the hotel and school according to verbs. Therefore all the cooking and dinning programs are lumped together in the same area while the working areas- offices/school are also placed in similar locations. The twisting of these programs are done to create interesting intersections inside and to create interesting views to the outside. 

NEW ARTIC URBANISM /HOUSING

/// Option Studio done at the University of Toronto during the fall of 2010 under the supervision of Mason White.

/// Duration: 4 months

/// Individual work

/// Description: Iqaluit is the fastest growing capital in Canada. Jobs in the government, construction, and service industries are major reasons for rapid population growth, especially after Iqaluit became the capital of Nunavut. Furthermore, when coupled with a high fertility rate among Inuit women, this results in a natural increase in population. Since very few Inuits move away to the south, Iqaluit is expected to have a steady growth towards 2030. 

This project aims to address Iqaluit’s rapid growing population and their need for housing coupled with the need for more snow trails. This will be achieved by incorporating the snowmobile into the new housing complexes. The trails will exist between various housing complexes to create  new urban public spaces that also facilitates infrastructure. 

SURFACE STUDIES

/// Visual Communications class University of Toronto, 2008

/// Duration 2 weeks

/// In collaboratin with Emily Cheng

/// Description: An exploration of both tactile and virtual surfaces. The tactile consists of a system of score-and-fold applied to a felt-like fabric, then threaded with fishing line to allow malleability. The virtual is a 3d computer model manipulated through stretching and twisting.

SOUNDSCAPE FOLLY
EDITORIAL “CALLING ON THE RESILIENCE OF JAMES BOND” TO BE PUBLISHED IN CONDITIONS MAGAZINE
“STORMING MEDUSA”- JAMES BOND #24
JURGEN MAYER H- HOUSING FACADE
JURGEN MAYER H- VLASHIKA A NEW CITY
JURGEN MAYER H- FAYAT BOMAG ACADEMY
HANGING CAMPUS DUBAI
COMPREHENSIVE BUILDING PROJECT
NEW ARTIC URBANISM /HOUSING
SURFACE STUDIES

About:

Anna Ulak is an architect with an M.Arch from the University of Toronto. Current interestes includes: the influence of computer sciences on biology/ecology/architecture and urbanism during the 20th and 21st century. Other research interests are the voluntary and involuntary relationship between the senses when experiencing and creating works of architecture. Anna is interested in making new types of buildings and environments that amplify the natural world: such as the physiological, ecological and the climatic.
Professionally Anna worked at several internationally-recognized firms such as: Bruce Mau Design, Michael Maltzan Architects and Jurgen Mayer H, on various projects in countries such as Germany, Russia and Georgia.

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